I want to tell you about a man standing in the rubble that had, not an hour ago, been a building—the building where he lived with his wife and two daughters. I want to tell you that you are meeting him, as I did, as he hears the words that will tear his life in two. I want you to meet him, as I did, in the rubble—his wife and daughters, his life—all that came before, now ash. There are no tools to dig into the wreckage, and even though he attempts by hand, there are no ambulances, and there is no safe hospital should he find anyone still alive. I want to introduce you to a young man named Motaz whose youth is at threat of extinction every day as he films, photographs and documents the unfathomable holocaust in which he lives—the “Never Again” that is life for these men, for their families and people.
About a Man
About a Man
About a Man
I want to tell you about a man standing in the rubble that had, not an hour ago, been a building—the building where he lived with his wife and two daughters. I want to tell you that you are meeting him, as I did, as he hears the words that will tear his life in two. I want you to meet him, as I did, in the rubble—his wife and daughters, his life—all that came before, now ash. There are no tools to dig into the wreckage, and even though he attempts by hand, there are no ambulances, and there is no safe hospital should he find anyone still alive. I want to introduce you to a young man named Motaz whose youth is at threat of extinction every day as he films, photographs and documents the unfathomable holocaust in which he lives—the “Never Again” that is life for these men, for their families and people.